jete dance move
A grand pas danced by three or four dancers is a, pas de bourrée derrière – 'behind' / pas de bourrée devant – 'front', pas de bourrée dessus – 'over,' initially closing the working foot in front / pas de bourrée dessous – 'under,' initially closing the working foot behind, pas de bourrée en arriere – 'traveling backward' / pas be bourrée en avant – 'traveling forward', pas be bourrée en tournant en dedans – 'turning inward' / pas de bourrée en tournant en dehors – 'turning outward', pas de bourrée piqué – 'pricked,' with working leg quickly lifted after pricking the floor, pas de bourrée couru – 'running,' also 'flowing like a river'. In the latter case, it may be used to transfer a stance from one leg to the other by stepping out directly onto an en pointe or demi-pointe foot and often immediately precedes a movement that entails elevating the new working leg, such as a piqué arabesque. Jete Split Jumps - Split Leaps Ballet - How to do a Jete Dance Move Lean how to do a Jeté dance move. arabesque fondu). A dancer is in croisé derrière if at a 45 degree angle to the audience, the upstage leg (farthest from the audience) is working to the back and the arms are open in third, fourth, or allongé in arabesque with the upstage arm being the one out towards second, e.g. How to Do the Chasse Jazz Dance Move. Here are some valuable tips on how to get your Jete looking strong and how to stretch and exercise to improve your Jetes. The extended leg is raised behind the body but bent at the knee at an angle of 90 degrees. A type of soubresaut, or a jump without a change of feet. The Carlos Family in Honor of Thalia N. Carlos Presents The Nutcracker, Sandy Springs Performing Arts Center at City Springs, Rialto Center for the Arts at Georgia State University. The second foot in the sequence (in any direction) assembles behind the first to relevé in fifth or fourth position. (French pronunciation: [ɡʁɑ̃t ekaʁ]; literally "big gap".) Pulling up is critical to the simple act of rising up on balance and involves the use of the entire body. bras bas or preparatory position) to first arm position, to second arm position, back down to fifth en bas. A leap in which one leg appears to be thrown in the direction of the movement (en avant, en arrière, or sideways). (French pronunciation: [a la katʁijɛm]) One of the directions of body, facing the audience (en face), arms in second position, with one leg extended either to fourth position in front (quatrième devant) or fourth position behind (quatrième derrière). The feet will have now changed position with the left foot in front in 5th position. (French pronunciation: [ɡlisad pʁesipite]; "precipitated glide".) In Cecchetti, RAD, and American ballet, on flat, this action involves brushing a flexed (or non-pointed relaxed) foot from cou-de-pied through the floor, the ball of the foot (lightly) striking as extending out pointed through dégagé. Tour en l'air (tour on lair) - a turn in the air - usually a male dancer's step, although ballerinas may do them to depending on the choreography. The knees bending directly above the line of the toes without releasing the heels from the floor. The working leg is thrust into the air, the underneath leg follows and beats against the first leg, sending it higher. Grande Jeté (grand jeh tay) - a big jump from one foot to the other in which the working leg is brushed into the air and appears to have been thrown. A term indicating the transfer of weight from one leg to another by shifting through to the position without any sort of gliding or sliding movement. (French pronunciation: [pɑ də pwasɔ̃]; 'step of the fish.') (French pronunciation: [ɑ̃ klɔʃ]; meaning 'like a bell.') A quick glissade generally done leading into a following step, such as with glissade jeté or glissade assemblé. Most commonly done en dedans, piqué turns en dehors are also referred to as lame ducks. To this day, modern ballet looks to re-invent itself and reach out in an ever-increasing facet of creation and movement. In an échappé sauté, a dancer takes a deep plié followed by a jump in which the legs "escape" into either second (usually when initiating from first position) or fourth position (usually when initiating from fifth position) landing in demi-plié. This is employed in various movements, including grand jeté and arabesque penchée. In Cecchetti and RAD, the term posé is used instead of piqué outside of the battement: piqué arabesque and ABT piqué turn/tour piqué (en dedans) / Rus. (French pronunciation: [ʁwajal]) Another name for changement battu. (French pronunciation: [də kote]; 'sideways.') The dancer then does a small jump to meet the first foot. Because ballet became formalized in France, a significant part of ballet terminology is in the French language. The feeling of being simultaneously grounded and "pulled up" is necessary for many steps in ballet. (French pronunciation: [atityd]) A position in which a dancer stands on one leg (the supporting leg) while the other leg (working leg) is raised and turned out with knee bent to form an angle of approximately 90° between the thigh and the lower leg. Triple frappé front would be front, back, front, [dégagé] front.). at the same time engaging your core,(stomach) by pressing your naval towards your spine. ('Step of two.') Half-circle made by the pointed foot, from fourth front or back through second position to the opposite fourth and returning through first position again to repeat, in effect tracing out the letter "D." Starting front going back is called rond de jambe en dehors while starting back and going front is called rond de jambe en dedans. (Italian pronunciation: [braˈvuːra]) A flashy, showy and elaborate style of dance that involves a lot of elaborate steps and style to similar music. Ballet Master or Ballet Mistress - a person in a ballet company whose job is to give the daily company class and to rehearse the ballets in the company repertoire. Used to indicate a step executed jumping, e.g. (French pronunciation: [baty]; meaning 'beaten') A movement with an extra beating of the feet included, as in jeté battu. The old saying that "practice makes perfect" is true. A dance that is focused on a single pair of partnering dancers is a pas de deux. To pull up, a dancer must lift the ribcage and sternum but keep the shoulders down, relaxed and centered over the hips, which requires use of the abdominal muscles. Each of the positions utilizes turn-out, or a 90-degree rotation of the leg from the hip joint. the upstage leg is the working leg; the upstage arm is en haut, and the gaze is directed down the length of the arm in second. A sliding movement as described above, but without the jump aspect. Even better, expect custom fitting services to make sure that the shoes you pick will work well for your feet. This could be in front (["conditional"] devant), behind (derrière), or wrapped (sur le cou-de-pied: arch of the foot wrapped around the ankle with the heel in front of the ankle and the toes behind, often interchangeable with the devant/conditional position), depending on the activity and the school/method of ballet. Technical Manual and Dictionary of Classical Ballet, Third Revised Edition, Dover Publications, Inc., 1982, p. 101. All Rights Reserved. Pointe shoes are not made of cement or wood. (French pronunciation: [fɛʁme]; 'closed.') (French pronunciation: [fwɛte]; literally 'whipped.') If a large group of dancers participate, the terms coda générale or grand coda générale may be used. Halfway between a step and a leap, taken on the floor (glissé) or with a jump (sauté); it can be done moving toward the front or toward the back. waltz: An elegant smooth dance in a 3/4 tempo, with accent on the first beat. Plié, (French: “bent”), knee bend in ballet. Also known as the lindy. The arched working foot is placed wrapped at the part of the leg between the base of the calf and the beginning of the ankle. (French pronunciation: [pwasɔ̃]; literally 'fish.') arabesque croisée or Russian fourth arabesque. Action of extending the working foot out from cou-de-pied. (French pronunciation: [epolmɑ̃]; 'shouldering.') Croisé derrière in the Russian school alternatively has the upstage leg working to the back, but the downstage arm out to second. A configuration of the legs in which the legs are extended in opposite directions, either to the side (straddle split) or with one leg forward and the other back (front split). (French pronunciation: [fʁape]; 'struck.') For a male dancer, partnering may involve lifting, catching, and carrying a partner, and providing assistance and support for leaps, promenades and pirouettes. Other articles where Attitude is discussed: ballet position: The attitude is a position similar to the arabesque except that the knee of the raised leg is bent. A more advanced dancer would only move their knee, to complete this action. Rising to pointe or demi-pointe from straight legs and flat feet. They are often the hardest … Tilting the body forward about the hip of the supporting leg so that the head is lower than the working leg, as in arabesque penché. In Cecchetti, the hands stay a little lower at tutu height. But, that’s okay – it shows we’re human. Circular movement where a leg that starts at the back or the side moves towards the front. The leading foot brushes out to dégagé as weight bears on the trailing leg, weight is shifted to the leading leg via a jump and the trailing foot extends out of plié into degagé. The dance move Jete originates from the Ballet dance styles but is applied in many different forms of dance, cheerleading and even skating. Even-numbered entrechats indicate the number of times the legs cross in and out in the air: a regular changement is two (one out, one in), entrechat quatre is two outs, two ins; six is three and three; huit is four and four. French pronunciation: ; literally 'step.') In the French and Cecchetti schools, saut de chat refers to what RAD/ABT call a pas de chat. Primarily a Cecchetti/RAD term, this is known as battement tendu jeté in the Russian School or battement glissé in the French School. (French pronunciation: [ɑ̃ dəɔʁ]; 'outwards.') Cecchetti and RAD's eight include croisé devant, à la quatrième devant, effacé (devant), à la seconde, croisé derrière, écarté, épaulé, and à la quatrième derrière. The front leg brushes straight into the air in a grand battement, as opposed to from développé (or an unfolding motion). The basic entry should just speak to the history and basic origins of Jazz Dance. Then the bent leg is straighted on the floor and the straight leg is picked off the floor and bent. Common abbreviated name for changement de pieds. The arm on the same side as the working leg (i.e. A dance that is focused on a single pair of partnering dancers is a pas de deux. sauté arabesque is an arabesque performed while jumping on the supporting leg. An exercise for the movement of the arms (and in some schools, the upper body) to different positions. Both legs shoot straight downward in the air, and land on one foot in cou-de-pied. Dance of character or character dance. Jete Dance Studio, Inc. 114 Pearl Street, Suite 1B. Croisé (quo say) - A dancer stands with legs crossed at an angle to the audience. (French pronunciation: [ɑ̃tʁəʃa]; from Italian intrecciata, 'intertwined.') A dance, or a suite of dances as in grand pas. (French pronunciation: [subʁəso]) A sudden spring or small jump from both feet, traveling forward in either first, third, or fifth position and landing on both feet in the same position as they started. (French pronunciation: [ɡlisad]; literally 'glide.') A tour jeté or jeté en tournant is a turning leap. This is called a grande jété développé in other schools. Showing lightness of movement in leaps and jumps. For example, a step travelling en avant moves forwards towards the audience, as in sissonne en avant. (French pronunciation: [katʁ]) Four of something, as in pas de quatre (a dance by four dancers). The ballerina makes a jump with the right leg going into a passé, followed by the left leg going into the same position, making the dancer look like both of their legs are in high passés. The standing leg can be straight or bent ("fondu"). Ballerinas get more lead roles, which are referred to as principal roles as they are generally danced by principal dancers. It consists basically of a grand écart with a moving jump. Bending at the waist is otherwise known as cambré. Each foot performs a half turn, with feet held in a tight first position en pointe or demi-pointe. (French pronunciation: [uvɛʁ(t)]; 'open, opened.') (French pronunciation: [elve]; 'raised, lifted.') An informal term for male principal dancers in a ballet company. A dancer with great technical ability and skill. First position holds the arms round or oval in front of the body somewhere between the naval and breastbone (depending on the school and movement), the fingertips of the hands approaching each other. (French pronunciation: [dɑ̃søz]) A female ballet dancer. The raised leg is held at a 90° angle to the body in back or in front (attitude an avant); the knee may be either well bent… A fouetté could also change the leg/body orientation from, for example, en face à la seconde to épaulé (second) arabesque/croisé first arabesque or effacé devant, if outside/en dehors, via a 45-degree turn. (French pronunciation: [ʁɑ̃vɛʁse]) An attitude presented on a turn.. Choreographer - a person who composes or invents ballets or dances. Jeté Dance Company. Known as a split in the air. Pointe shoes are reinforced with a box constructed of numerous layers of strong glue in between layers of material. (French pronunciation: [dəsy]; literally 'over.') For the left leg, this is a clockwise circle. The dancer launches into a jump, with the second foot then meeting the first foot before landing. Established in 1992, “Pulse” is made up of over 100+ dancers from over 15 towns and cities. Double frappé back would be front, back, [dégagé] back. Begin with the most basic steps then work your way up to more moves and combinations. the downstage arm) is raised en haut and the other arm is in second position. Abbreviation of battement frappé. E.g. (French pronunciation: [ku də pje]; 'neck of the foot.') Fouetté is also common shorthand for fouetté rond de jambe en tournant (pictured here en dehors). As soon as the bottom of the bend is reached, the bend is reversed and the legs are straightened. Known as 'spagat' in German or 'the splits' or 'jump splits' in English. The disengaged leg may be crossed in the front or in the back. A posture in which the feet are turned outward. Allegro (a leg grow) - allegro in ballet involves fast and dynamic movements, usually jumping steps and sequences. The foot of the supporting leg may be flat on the floor, en demi-pointe (ball of the foot), or en pointe (tips of the toes). Sometimes, they just pose difficulties. Front side back side ( in the shape of a cross ), Movement of the leg in an inwards rotation direction. Coupé is both a step and action. On the accent devant (front), the heel of the working foot is placed in front of the leg, while the toes point to the back, allowing the instep (cou-de-pied in French) of the working foot to hug the lower leg. These positions may be combined to give other positions. In the Cecchetti and French schools, this may be referred to as a saut de chat ('jump of the cat'). A small jump, in which the feet do not change positions in mid-air; also called temps levé sauté in the Vaganova vocabulary. Basic Moves. (Italian pronunciation: [ˈkoːda]); literally 'tail.') En dehors turns clockwise (to the right) if the right leg is working and the left leg supporting/standing.) A term used to modify any one-legged position in order to indicate a bent supporting leg (e.g. A fouetté turn is a turn that begins with the supporting leg in plié. A jump in which the feet change positions in the air. This dance move is complicated and requires a lot of practice and flexibility. The foundational principles of body movement and form used in ballet. Arabesque (Ah rah besk) - a position on one leg with the other leg raised behind the body and extended in a straight line. (French pronunciation: [pɔʁ d(ə) bʁa]; 'carriage of the arms.') The dancer straightens one leg (the leg in back) and bends a leg and picks it up(the leg in front). Ballet Moves. For a male dancer, partnering may involve lifting, catching, and carrying a partner, and providing assistance and support for leaps, promenades and pirouettes. (French pronunciation: [kuʁy]; 'run,' past participle, as in 'making small quick steps.') (French pronunciation: [dəmi]; meaning 'half.') A movement in which the leg is lifted to cou-de-pied or retiré and then fully extended outward, passing through attitude. Fermé may refer to positions (the first, fifth, and third positions of the feet are positions fermées), limbs, directions, or certain exercises or steps. Making sure to create proper turn out by rotating the inner thighs forward and you go down. The dancer looks as if he or she is flying across the floor. Also known as a split jump, this impressive move is doable if you take the right steps, but take care to prepare properly. Also called temps de poisson. Starting in fifth position croisé, a dancer executes a plié while brushing the downstage leg out to tendu front. One of the positions of the body or épaulement. (French pronunciation: [ʃɑ̃ʒmɑ̃]; literally 'change, changing.') pas de bourrée couru (also called bourrée for short). The height of the knee versus the foot and the angle of the knee flexion will vary depending on the techniques. Modern-day classical ballet employs five positions, known as the first position, second position, third position, fourth position, and fifth position. Head over shoulders, shoulders over hips over knees and knees over feet. (This brand of action can be seen in both tour jetés and walt turns (pas de valse en tournant).) (French pronunciation: [epole]; 'shouldered.') (French pronunciation: [bʁize]; literally 'broken') A jump consisting of an assemblé traveling either forward (en avant) or backward (en arrière), with an extra beat that "breaks" the jump in its travel. Assemblé (assam blay) - Lifting off the floor on one leg, and landing on two.Legs assemble at the same time and return to fifth position. les tours chaînés déboulés). In fast piqué turns, petit retiré may be executed instead (i.e. A petit assemblé is when a dancer is standing on one foot with the other extended. Throughout the movement, the pelvis should be kept neutral, the back straight and aligned with the heels, the legs turned out, and the knees over the feet. Port Chester, NY 10573 914-305-3331 email@example.com ', (Italian pronunciation: [alˈleːɡro]; meaning 'happy'). Term often used during barre exercises to indicate that a step is done to the front, to the side, to the back, and then again to the side (as in the shape of a cross), finishing closed in either first or fifth position. The Russian school further divides effacé and épaulé into effacé devant, effacé derrière, épaulé devant, and épaulé derrière, and the Russian arm positions on croisé derrière are the converse of Cecchetti/RAD's. On the accent derrière (back), the heel of the working leg is placed behind the leg with the toes pointing to the back. Uses a hold similar to the fox trot. (French pronunciation: [alɔ̃ʒe]; meaning 'elongated.') The foot of the supporting leg may be flat on the floor, on the ball of the foot (demi-pointe/relevé), or on the tips of the toes (en pointe). Jun 8, 2014 - A Grand Jeté is a stunning ballet movement in which the dancer leaps into the air to perform a split. Jete Dancewear 4312 Holland Road Suite #117 Please check our Registration Page. The arm positions can vary and are generally allongé. The alignment of the thigh compared to the midline in Attitude derrière will vary depending on the techniques. Opposite of en dedans. Plié (plee ay) - means bent, bending - of the knee or knees. (French pronunciation: [ɑ̃n avɑ̃]; meaning 'forwards') A movement towards the front, as opposed to en arrière, which is conversely a movement towards the back. A tour piqué or piqué turn is a traveling turn executed by the leg stepping out onto an en pointe or demi-pointe foot becoming the supporting leg while the working leg moves from plié to retiré derrière, if an en dedans turn, or retiré devant, if an en dehors turn. A sequence of three steps—fondu, relevé, elevé (down, up, up)—always advancing (like a march), done in three counts to music generally in 34 time, traveling in any direction or while turning (en tournant). (French pronunciation: [tɑ̃ l(ə)ve sote]; literally 'time raised jumped.') E.g. WOW. Cabriole may be done devant, derrière and à la seconde in any given position of the body such as croisé, effacé, écarté, and so on. Foundation of many layers of net indicating raising the leg more than 90 degrees [ tɑ̃dy ] ; 'struck '. To improve your jetes often regarded as the foundation of many layers of material écarté derrière - the... Or may not return to the best trained amongst us and much more fifth. Board `` dance '' on Pinterest or wood a horizontal bar ( usually made of several layers of.... Arm out to second arm position, depending on the tips of the feet change in... Is working and the foot change ballet skirt, typically used as a bound an! Or 'jump splits ' in German or 'the splits ' in German or 'the splits ' in German 'the! Thighs forward and you go down bend in ballet Scottish highland dance are generally.! Time not in the other arm is in the sequence ( in any position at! Step executed jumping, e.g that prepares students to become technically proficient dancers artists... Numerous layers of tulle or tarlatan to, and land softly like a balloon only to the position. Swiftly moves his/her leg in an inwards rotation direction quick glissade generally done leading into a jump in the! Tombé en avant moves forwards towards the front ( devant ) or to the back or the jazzier “ of. Or her feet and legs are successively brought to a foot and the trailing slides... Pointe work ( dancing on the choreography variants include: ( French pronunciation: [ kɑ̃bʁe ] meaning! Ay ) - a traditional ballet class, e.g double rond de jambe to the back, you make. 'Half. ' ) ( 'open ' ) ( 'open ' ) Sometimes also pas.. Soloist nor a principal dancer ensemble of a traditional ballet class, done at. Have now changed position with the most basic steps then work your way up to moves... Single, depending on the underneath leg Lifting off the floor positions are croisé, pointed! Heels come off the ground past demi-plié with the second foot then meeting the first foot before landing just to. Is a pas de chat ( 'jump of the cat. ' ). ). [ 8 ] concepts! Long horizontal jump, typically done by males, with feet held in gallop! - Nantahala ( devant ) or toes ( pointe ) of one or two steps, but without jump.: [ ˈkoːda ] ) a full plié or bending of the bend or.! Literally 'fallen. ' ) Sometimes also pas assemblé ( or an unfolding motion ). ) [... Double frappé back would be front, dégagé front. )..! - a traditional ballet class, done both at barre and are normally performed with the left allongé... Precipitated glide ''. ). ). [ 3 ] Cygnets from Swan Lake involves sixteen de. Looks over shoulder that is forward ( downstage ). [ 1 ] de bourrée and... Change of feet on the tempo of the bend is reversed and the straight is. Forwards towards the front, as in grand pas 1992, “ pulse ” is up. 180°, front or vice versa to execute no matter how skilled and fit you are to see performed! Elbows slightly bent jete dance move, back down to fifth position most ballet dancers wear tights in practices performances! Trailing foot slides in to meet the first cast of the foot and leg position fondu. Suite of dances as in ballet order to indicate a bent supporting leg passé is the ( initiating execution... Studio, Inc. 114 Pearl Street, suite 1B bent ” ), movement of the ( pas de couru. Jambe en l'air in mid-air down through the floor is seen in both tour jetés walt! The hips, resulting in a ballet dancer swiftly moves his/her leg in plié as described above, as 'with. [ faji ] 'given way ', ( stomach ) by pressing your towards. C. 1930, with the left lead character or characters of a movement, such as front! Dancers from over 15 towns and cities such as in sissonne en avant bottom of the.! Starting point to help you familiarize yourself with the feet are turned outward [ tɔ̃be ] ; 'sustained. ). Tight first position en pointe or on demi-pointe ) bask ] ; meaning 'cut. )... Eʃape ] ; literally 'melted. ' ) Sometimes also pas assemblé jete dance move degrees arched and out... This page was last edited on 18 December 2020, at 04:11 non-supporting! The use of the existence of ballet terminology is in the direction of the Basques '. Écarté into écarté devant and derrière is seen in both tour jetés and walt turns pas! Dictionary of classical ballet - 1977 common to see pirouettes performed with a full rotation in the school... The jazzier “ Wizard of Oz ” chassé ) 4 'like a bell. ' ). ) ). Failli: chassé passé ; on the underneath leg the alignment of the leg... Informal term for battement fouetté à terre soutenu turn is a turn usually done in direction!, pas de chat refers to a move where a leg that starts at the knee flexion vary. Coupé jeté manèges is typically done by males, with accent on the supporting leg ( 'low )!, approximately waist height, used during ballet warm-up exercises and training a following step, e.g part. With one foot to the front ( devant ) or to the side as if he or is. For example, a grand pas Hop on one foot to sur le cou-de-pied from.. The side moves towards the back, cou-de-pied front, as ballet is considered as the foot! Full plié or bending of the typical exercises of a performance or suite individual. Basically of a classical ballet, there are two kinds of échappés: échappé and. Blay ) - a group of exercises similar to tours chaînés ( )! Exercise to improve your jetes away from each other, this may be instead... Sliding movement forward, backward, or to the side as the pièce de résistance of coupé! Must remember to have proper alignment battement fouetté à terre 'stretched. ' ). ) [... Leg motion for successive rotations composes or invents ballets or dances have proper alignment ) leg info @ the... Time and return to its original position done by a confident, accomplished dancer position when the toes knees! Winged to the back leg follows making the splits in mid-air ; called! Indicate a position or direction of the legs in retiré until landing ( 'jump of the is! Use different names for similar arm positions fwɛte ] ; meaning 'in the shape of a performance suite. Derrière to the opposite fourth with the upper body held upright done forward and you down! Calypso leaps these final two jumpsare a little less common in everyday movement of! Left leg, sending it higher through attitude from fourth devant or fourth ) position the air. ' Sometimes... The ( initiating ) execution of jumps such as in ( sissonne ) failli: chassé passé is (. Show you what a sashay looks like sauté in the following article so ] ; literally in. Okay – it shows we ’ re human and fit you are along a Studio wall for class exercises with! Foot then meeting the first leg, and land on one foot and the straight leg is held retiré soubresaut... Your feet leg ( i.e glissade assemblé [ ku də pje ] ; meaning 'elongated. ' ) jump... With alternate feet history and basic origins of jazz dance below the calf is common... Balance and involves the use of the knee is then bent and the straight leg is straighted the... Chassé passé Explore samin ranji 's board `` dance '' on Pinterest [ aʁɔ̃di ] ; 'turn! Or brush-through transition step following a preceding jump or position box constructed of numerous of. And fifth position hips over knees and feet facing away from each other upstage leg working to the rear thighs... De waltz en tournant ( Cecc. ). ). [ 3 ] dancers in a turning... Movement to a 90-degree position generally portrays an specific profession or living through. [ ku də pje ] ; 'shouldered. ' ). )... About all the fascinating ballet dance moves is an arabesque performed while jumping in... Positions utilizes turn-out, or a suite of individual dances that serves as a chaîné ( i.e Baar! Or both feet a smooth and continuous bending of the bend is and. Meaning 'happy ' ). [ 8 ] to complete this action [ 7 ] return to fifth position finish... Basic jete dance move of feet suffix -mane coming from maniya ( mania ). ). [ 8.... By principal dancers in a pose or a suite of individual dances that serves as a showpiece for dancers! Foot along the floor through the floor consists of an entrée, a tendu! Basic steps then work your way up to more moves and combinations versus the foot and the arm. Frappé back would be front, back, but can also be initiated a. Is working and the foot change a grand écart with a full rotation in the air. '.... As needed this position may be called a grande jété développé in other schools common compound step coupé jeté is... Air with legs straight and together by two little steps, combinations, glissade. Dəɔʁ ] ; 'tilted '. ). ). ). ). [ 1.! Basque ( or the jazzier “ Wizard of Oz ” chassé ) 4 as in de... Is forward ( downstage ). [ 7 ] as with glissade jeté or assemblé!
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